Thursday, November 14, 2013

TOL: Tell Me A Story

Is this a common question children ask of their parents? "Tell us a story from before we can remember."? I don't know if it is or not, but I know that I myself asked this question many times over as a child. R.L. might have wanted his mother's story for the same reasons I remember wanting mine's- for the merit of a story told from a time before my own when things were different; a time and place before my mother thought of me perhaps as even a possibility; a time when my mother was not a mother but somebody's child, a child like me wandering the world in place of somewhere to be. Actually I never addressed this line as significantly extraordinary- at least within the film- because it seems a perfectly natural question to me. There's the history you learn in school, and then there's the history of your parents who, when you're small, are omniscient and wise beings. 

What does it mean that R.L. asked this question and not Jack? That R.L. is the child that wonders about these kinds of things? Does it mean that he has a greater sense of grace, asking for stories, becoming adept at guitar and painting? R.L. seems to care about these things and appreciate their beauty (their "goodness"/grace?) more than Jack ever does.

If we go along with the idea that Jack, if not the main character, is at least the central character of ToL, perhaps his journey is about realizing that he too has followed the way of nature, like his dad, but perhaps completely by accident. His journey then is to figure a way to find the way of grace, the path that his mother and R.L. followed. It gives us then an idea to tackle about what beauty is in the film- there is beauty in grace, but there's also beauty in nature- the thing of it is that it's how you approach it that matters.

Going into again what I said in class about Dad's music: classical music is a lot like designing a building (see what I did there?). You build it from the ground up and it's a stoic kind of thing. On paper it's all bars and keys and lines, structured and exact. The father reads from sheet music and listens from records from the great classical composers- among them Brahms and Bach. I'm not saying there's not beauty in classical music, because there is, but you're not going to find it by conducting with it or staring at the sheet music of it like Dad does. And Bach's Fugues aren't exactly lullabies.

R.L., when he plays the guitar, doesn't read sheet music. He plays with his father by ear in the piano/guitar scene, and it's interesting how nature and grace overlap in that scene. They coexist harmoniously for a little while, and yet they're still independent of each other. Dad plays by the sheet music and R.L doesn't, but they're playing together.


1 comment:

  1. Nicely done, poetic even:

    *There's the history you learn in school, and then there's the history of your parents who, when you're small, are omniscient and wise beings.
    There's also a sense of prehistory, which RL seems keenly tuned into...


    *
    It gives us then an idea to tackle about what beauty is in the film- there is beauty in grace, but there's also beauty in nature- the thing of it is that it's how you approach it that matters

    Building off your point on music, might there also be beauty in chaos/apparent disorder/improvisation/ie... suffering.... this makes me think of the Lumia--why open the film with "light art"?

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